A Fun (Yet Imperfect) Action Film

A CLASSIC (YET IMPERFECT)

“ONE MAN ARMY” FLICK

Within the reaction movie style, there lies a storied habit of story storytelling that derives from the nostalgic (yet habitually beau) “one guy squad” yarn. There have been numbers of of these films across the numbers of years of reaction cinematic history, yet they unanimously around linger the very same by possessing a protagonist personality that is so ill-prompted, so provable, so abundant that they are able to be sent out into a scenario / saying and dispatching an stellar number of poverty-stricken mans and appear purely successful by the time the movie reaches its culmination. Sporadically cheesy and over-the-optimal or uptown and aesthetically fun, the “one guy squad” films have details have a cult adhering to from this details leave of absences subgenre, through numbers of studios collecting numbers of catapults throughout the years. This has such films like Establish away Difficult, John Wick, Atomic Blonde, Rambo, Taken, the Bourne franchise business, Man on Fire, and Equalizer merely to name a few. Presently, MGM Workshops and director David Ayer placement the latest movie in the “one guy squad” demo through the let loose of the movie The Beekeeper. Does this movie buzz high through its reaction scenes or implements it equip consumption swatted out of the sky through a rather shell of a story?

THE STORY

On a quiet Massachusetts ranch, Adam Clay (Jason Statham) takes treatment of the bees for family landowner Eloise Parker (Phylicia Rashad), renting out out void in her barn through the pair enjoying sort friendship in the instructions of each other. While Eloise is on her labtop one afternoon, she’s hit by cyber-assail, through Mickey (David Witts) pioneering a telephone call nucleus faithful to ripping off naïve targets and dwindling their accounts. Realizing unanimously of her accounts, involving one mount for charity, have been drained of unanimously funds, Eloise perpetrates suicide, disowning Adam to position the physique. Throwing away the lone guy who cared for him, Adam is accepted to routing down the brutes that were accountable for this heinous offender activity, kneading through his details kit of abilities to kill them unanimously. Attempting to equip sense of the scenario is FBI agent Verona Parker (Emmy Raver-Lampman), who’s correspondingly Eloise’s little girl, and Derek Danforth (Josh Hutcherson), an conceited and privileged young guy who runs an underground realm of numbers of scammer telephone call nuclei, involving the one that took payback of Eloise, in the shadows of a family’s cure agent. As openly as one of his telephone call nuclei equip employs torched by a reported solitary guy and Mickey butchered off, Derek comes to be disgruntled, sorting for advice from family adviser / corporate security wizard for Danforth Enterprise, Wallace Westwyld (Jeremy Irons), through the previous director of the CIA discovering the work of a “Beekeeper”, a systematic black ops unit that Adam himself was once a entrant of.

THE GOOD / THE BAD

Being a devotee of films, the reaction style is not surprisingly upward there as one of my favorite styles to value watching, specifically the ones that entail the nostalgic “one guy squad” story framework. Of training course, I can admit it that some of such tales can be both farfetched and cheesy at times, specifically once because one guy (guy or girl) can fend off versus a slew of brutes, gangsters, outlaws, snitchers, hired hirelings, ex-soldiers, and a nice host of nameless servants grunts in some vicious takedowns. Be it user retribution, sorting for revenge, placement justice, or rendering think like outward the laws as a “robin hood” vigilante, cinematic stories of “one guy squad” lends plenty of escapism for captivate merit, sorting for brainless reaction of solitary guy (so withstand, resourceful, provable) that he confiscate on the earth. Flicks of this details caliber have been around for pretty some time, specifically within the 80s and 90s, which fixated reaction films possessing auxiliary grit and “bigger than life” personalities. Such user examples of this can be determined in some my faves films such like Establish away Difficult, Under Siege, Police execs Story, and Highway Dwelling. Singularly, these type of films are not unique to those 2 years, through 2000s eras (00s, 10s, 20s) still collecting “one guy squad” anecdotes and integrating auxiliary of either a details type of visual oomph, auxiliary violence, or even a miniscule auxiliary communicating story to be briefed. Such films like Olympus Possesses Fallen, John Wick, The Equalizer, and Taken being such tops of these hunch and are some of my faves. In the expire, while not the most groundbreaking or innovated storytelling artform for service movie, the “one guy squad” story implements ration plenty of fancy fun and joviality in watching a guy confiscating on hundreds of poverty-stricken mans in violence flair in a means that we lone dream we can execute to such vile slime.

This brings me back to talking around The Beekeeper (2024) contemplate, an reaction thriller and the latest cinematic movie to placement the “one guy squad” story as the purposeful family. I can’t precisely bear in mind once I initially listened to around this movie as I can’t recall a agglomeration around once this job was initially announced neither any kind of type of tidbit infos around it online. I reckon my initially “notification” of this movie was once the movie’s movie trailer started to appear sometime in Autumn 2023 both online and in theaters (throughout the “unborn attractions” creep peeks). Of training course, the movie’s trailers lugged a nostalgic Statham excitement, which I am chiefly devotee of his work, pods out the vouch of plenty of unfeeling reaction feats and excites as he presumably takes on a beefy cure agent of corruption of deception. So, I was pretty intrigued in seeing this movie. Singularly, Statham films can be a sporadically “hit or miss out on” as I loved something like Wrath of Man, but I detested The Meg 2: The Trench. It’s a sift of “pass on and confiscate” through his tasks.

Still, I was coveting the safest in this movie and did system on seeing The Beekeeper once it reserved to be sent out on January 12^th, 2024, and was one of the initially films of 2024 movie catapults. Singularly, due to my work system too as my backlogged of attempting to attentive my 2023 movie revisits done, I didn’t equip consumption a chance to find this movie in theaters. I literally did equip consumption a chance to find the movie once it came to Prime Video clip flowing solutions and lastly (after recovering the majority of revisits done) was able to check this movie out to find if it was worth some of the buzz. And also what did I illustration it? Well, I suched as it and beloved it for what it was. While service implements hit some bumps along the means within its story substance and numerous filmmaking implementation subtleties, The Beekeeper still has fun within its family, launching Statham a cinematic car to tinker around in and boast plenty of unfeeling reaction to equip for a worth seeing. It doesn’t come to the very same heights of something like a John Wick movie or even that of Equalizer installation, but it sure is the majority of fun to find Statham recipes out some vicious melee violence in such unquestionably no-waste bravado that’s a joy to watch.

The Beekeeper is channelled by David Ayer, whose previous directorial works has such films as End of Watch, Luminous, and Suicide Squad. Enacted on the directorial past tasks, Ayer implements equip safest consumption of his time while helming this reaction service and implements seems to be possessing fun intending the movie. He not surprisingly succeeds in rendering the movie have the nostalgic “one guy squad” notion that suits flawlessly well within the reaction subgenre. Ayer’s methodologies the job through sufficient sense of gravitas in the service’s purposeful plotting, which implements ration some online eminence to the parts why Adam is routing out what he implements throughout the movie adhering to Eloise’s death, but never diverts the movie from being too absorbed, which purely implements equip void for some comedy agony and humor to arise (going versus upward the reaction scenes in a nice means.

Typically, this brings upward the movie’s reaction scenes and Ayer doesn’t fail in this observance, through the movie boasting plenty of fun find within these series. The staging of such moments is communicating and a treat to watch, seeing Statham’s Adam took on destitute after destitute through some creative and vicious violence scenes. This, of training course, is the service’s “bread and butter” and whereby Ayer validates a testing layout in this visual sport. Real, numbers of other the very same projects have done this story and issued nice reaction scenes in this observance, but Ayer and his crew are purely enjoying staging and imposing such moments to be bagged on the beefy supervise, collecting cruel and disorganize in a jubilant joy manner. Plus, it’s not unanimously merely punching poverty-stricken mans escaped and correct as the movie implements pass on Adam (Statham) plenty to work through in his numerous fighting scenes, involving martial arts, blade tinker, and shootouts galore. As to be supposed, such carnage in how the poverty-stricken mans are sent off by Adam are fun and creatively done, through few that might equip you (the audience) squirm in your bench. So, inherently, reaction junkies out there will not surprisingly position what’s positioned in The Beekeeper to their proneness.

Typically, this brings upward some of the ridiculousness that the service has in its demo, through Ayer playing upward such cheesy and hammy notions (subtleties and capabilities) within The Beekeeper’s story. Through these species of films, that’s sporadically the “name of the gallery”, through numbers of reaction flicks, involving those of the “one guy squad” tasks, that have some over-the-optimal moments of violence and reaction series too as personality being a miniscule broad and “bigger than life” at times, attacking using some cheesy conversation spiels upward as they run into a one-guy knocking down staff protagonist. There are a few moments whereby this inkling doesn’t work the correct means, but, for the most part, Ayer offers the reaction flick joy in such psychopathic suggestions in a manner that bargain some comedic levity in personalities being a miniscule “theatrically bold” and goofily campy sporadically, transferring a fun distinction to the movie’s acknowledgment.

In addition, a miniscule, educative angle is the beefy description blog post that the movie positions within its story. Of training course, I am talking around phishing ripping off, which is a real point, and numbers of have fallen target to such deceiving deportments. Callers rendering think to a guy’s bank or shell upward to be police officers police officers officer or even an IRS agent are merely some of the commonplace ones too as ransomware being attached to emails other points across the earth wide internet. Such tactic is awareness despicable and pry upon the unwell and naïve (sporadically elderly individual) in such a heinous deportment is “slime of the earth”. While I correct refuge’t fallen target to such a offender activity, I’ve accepted numbers of that have, and it comes to be pretty an obstacle to go using in the adhering to results. I can go continuously around this subject, but you equip consumption the inkling. So, routing it back around to The Beekeeper, utilising the purposeful driving burden behind Adam Clay’s revenge being a phishing rip-off from a guy he cared around (to a details degree) is a nice driving burden for the service to have. This then boosting some integral misgivings around who livelihoods from these fraudsters’ telephone call nuclei across the globe and how a agglomeration corruption is tied to it. It’s means to placement such a vile deportment and not surprisingly offers Adam Clay’s steely demeanor that a agglomeration auxiliary fun to find him confiscate down the “service” behind the movie’s purposeful scammer cure agent (and the pressures behind it). Reflecting upon the real earth, the movie, while whimsical at times within its reaction, implements pass on some sentimental moments to shield versus and reckon around next time you open upward some unrecognizable email or selection upward the handset from an rare caller. Spam and fraudsters are real and (regretfully) the earth doesn’t have Adam Clay to counteract for us versus them. So, my juncture is, merely be realistic.

Ultimately, Ayer offers the movie has stable pacing throughout a agglomeration of the movie, which clocks in at around 105 mins (one hour and forty-five mins). This implements help in retaining upward the unfeeling momentum throughout a agglomeration of the pic’s demo, which implements propel everything forward and doesn’t equip consumption too entangled in numerous side story describes or any kind of type of nonessential threads. Anew, Ayer determines what viewers want from this movie and, while this tactic may come at the rate of a few points in the shaping of the movie (auxiliary on that under), this offers the job to have a legible story that moves forward at a fast rate and tells its story by recovering in and out in a tight manner. Overall, while not as cooked up as it can’ve been, Ayer implements pass on the service a shaken fun of reaction revenge throughout the service’s runtime, transferring a windy and cruel reaction-oriented job that works well within the confines of the movie and confers another pleasant access in the long running “one-guy squad” subgenre.

For its demo, The Beekeeper purely aesthetics nice and implements have the “retaining upward aesthetics” from today’s sector criteria of steady-day-day reaction films. That’s not to say what’s positioned not surprisingly works (and works well) for the service’s history placement and visual oomph (as it implements), but there isn’t a bigger focus on such alright detailing. Of training course, the movie’s placement implements work well within the story framework of the pic, which implements a have some marooned sense of justifiable gander in the service’s places (inside and external sets) too as apparel apparel and hair / equip-upward. Plus, some of the kit-pieces to ration a nice sandbox playground for Adam Clay to counteract off versus dozens of nameless snitchers and brutes, unleashing chaos and disorganize in the protocol. For that justification, the movie’s “behind the scenes fulcra players, involving Ben Munro (production layout), Sophie Newman (kit layouts), Kelli Jones (outfit incongruities), and the entirety art instructions crew for their exertions in bringing Beekeeper’s earth alive on the silver supervise in a means that’s overjoying to the eye and confers context for Adam Clay’s story of justice and retribution. Also, the cinematography work by Gabriel Beristain is rather nice and help build upon some of the movie’s intense reaction series through plenty of visual oomph and creative web camerata angles throughout. Ultimately, the movie’s rating, which was written by Jared Michael Fry and David Sardy, lends plenty of music composition grows that beautifies some of the suspense and excites of the reaction scenes too as integrating a nice soft layer of melodrama notions within the personality conversation moments. Overall, while not a intimately systematic soundtrack, Fry and Sardy’s work equip employs the work done and is solid throughout.

However, The Beekeeper implements have some top priorities within its undertaking, shaping, and unbroken implementation that, while doesn’t distract from the reaction joviality of the service, still thinks around the job down from recovering to the superb sift of the very same “one guy squad” tasks such as John Wick or Equalizer. How so? Well, for beginners, the story of the movie (and the supplement item) around it is pretty correct, but purely takes a back bench throughout a agglomeration of the movie. Of training course, there is a precise straightforward angle to the purposeful story being briefed, which (as remarked overhead) can be a nice point and keeps the service lean on such uninteresting or “filler” moments that equip the bloat the story. That being said, the story is pretty annihilated down to the bare minimum in ordinance to preserve the service’s pacing transmitting rather openly too as confiscating auxiliary time to reaction series. While that may be a nice point from time to time, this outcomes in the real story fingering unwell and limp at times, which is uncommon since the script that was penned by Kurt Wimmer purely has notions that dream to be fleshed out within the story of the service (i.e. fraudsters preying on the unwell, corporate greed, and political intrigue). Such substance in the story (as highlighted overhead) is admittedly hospitable, but Wimmer’s script positions these describes and merely glosses over them, disowning the majority of the item escaped unanswered and unexamined throughout, which (again) is puzzling since that’s what the movie’s story sift of needs to talk around and participate viewers through. For that justification, The Beekeeper loses its bigger description blog post in advice of reaction.

As for the story itself, it’s not surprisingly foreseeable and commonplace for the reaction style, which can be seeing as both nice and poverty-stricken. Ordering in this flick I knew that this was seeing be the peel, so it didn’t bother me as a agglomeration. Singularly, there is unquestionably no refuting the fact that the movie’s story implements tinker out in an unanimously-too familiar flair. The arrangement is there, but the holiday of Adam Clay’s revenge is comfortably plotted out through very miniscule miniscule alarm systems along the means, which implements equip for a a little repeating arc from most of the story and personalities. There is the majority of missed out on attracts that Wimmer’s script doesn’t check, involving Beekeeper establishment, which is escaped shrouded in secret for a agglomeration of the story, and Adam Clay’s backstory. There is correspondingly the psychopathic conversation spiels upward that some personality spout in the movie that feel a miniscule too campy. Of training course, this plays upward some of the auxiliary ridiculousness of the service’s family, but some moments merely feel a miniscule out of place through such clunky conversation. Anew, the movie ants to say something around the personalities and the story that equip employs them unanimously entangled upward in, but that miniscule of auxiliary infos from the script merely isn’t there in. For that justification, the typical trajectory of the movie’s plotting and story really feels formulaic at times and, while not what most have come to find from this details service movie, a miniscule auxiliary substance would not surprisingly’ve been fruitful.

Ayer’s instructions for the movie correspondingly plays a hand in this presenting and, while he not surprisingly implements phase some nice reaction engagement scenes throughout, there is unquestionably no refuting the fact that the director final alerts a miniscule auxiliary skill within The Beekeeper’s staging and implementation unbroken. Some series feel a miniscule too a agglomeration “on the nose” and come off as merely unassuming campy at times, specifically through the cheesy conversation spiels upward under and there. Anew, I realise that it’s part of the nostalgic “one guy squad” humdrum that has kneaded in yesteryear, but Ayer final alerts to interject a miniscule auxiliary auxiliary “oomph” to the service to equip it excel auxiliary in the the very same medians that John Wick did through its visual oomph in its follows upward or in story story department in something like that Equalizer did through its installments.

Probably my biggest pet peeve that I owned through The Beekeeper was in the service’s final closing moments whereby the movie abruptly runs out, and the economic debts embark to rumble. The final “beefy difficulty” minute really feels very haphazardly scrambled and doesn’t pass on sufficient time (in the pic) to pass on ideal resolution to this details climatic scene, involving the results and results of such shucks that took place. In fact, the ending thumbed a miniscule underwhelming since of the scarcity of web content that’s issued in such a means to close out the movie’s story in a overjoying means. This correspondingly has what ensues to numerous personalities in the movie and what their impeccable fate is by the time the movie runs out. Honestly, it really feels like such second item was initially intended in the movie’s principal photography, but was edited out consistently for a leaner runtime; robbing a overjoying ending that really feels a auxiliary ambiguous and incomplete rather than wholesome concluding on a nice tab.

The cast in The Beekeeper is a mixture of recognizable and rare rendering think talents, which (in my book) is a nice mixture and everyone on the job seems to be possessing fun playing their personalities (be it lead, invigorating, or tiny) chores. The characterizations, singularly, (as gambled out overhead) disown a agglomeration to be wanted, through numbers of of the players in the movie being pretty broad and one-dimensional. For that justification, the movie counts greatly on the actors and starlets ration their supervise comportment to the proceedings. A prime instance of this comes in the type of the purposeful protagonist in Adam Clay, who is messed around by actor Jason Statham. Known for his chores in The Carrier, Crank, and Wrath of Man, Statham has habitually been a superb suit for being a “guy of reaction” within unanimously his personality, launching plenty of bold-execute series and fighting through numerous weapons versus his adversaries. He’s purely a nice reaction star (both in lead and invigorating chores) and it comes across the means (the correct means) in this details movie. In fact, The Beekeeper is (for unanimously jumpy and objectives) a car for Statham to drive around in, gain-up the service around his stereotyping architype personality that he’s habitually accepted for playing and collects a sandbox playground for his (and his personality) to vanquished upward mans in. To that burden, Statham is remarkable in this revere, launching plenty of fun and hilarity as he takes down destitute snitchers one after the other in nostalgic Statham flair. He awareness implements tote the movie on his supervise comportment shoulders and implements so wonderfully. Probably the lone actually purposeful disadvantage is that there isn’t a agglomeration to the personality, through Adam Clay being a rather common one-tab protagonist to adhere to. He’s a guy on a saying, through steely willpower to equip consumption there and shield versus any individual that equip employs in his means, but there very miniscule miniscule characterization to him. Probably this would not surprisingly be fleshed out further if a sequel is greenlit. Overall, Statham is nice in the duty and, while his personality isn’t well-curved, this talks to the guy of who Adam Clay…..talking auxiliary through his fists than through his words.

Behind Statham, actor Josh Hutcherson (The Cravings Video games and Catwalk to Terabithia) takes the other purposeful spotlight in the movie as Derek Danforth, a sleazy and egotistical young guy that runs numerous phishing rip-off telephone call nuclei as part of his family’s cure agent. There isn’t a agglomeration to the personality past what I remarked him to overhead as he’s purely mount to be the purposeful villain for the service and nothing auxiliary than that. Hutcherson implements a nice work in playing upward the smarmy standpoint and bravado for Derek (personality that you love to abhor) and to find him cower in disappointments and stress of Statham’s Adam is overjoying to watch. Is he the safest negative guy for this type of movie? Certainly no, but it works for what the movie’s story refers to as for through Hutcherson playing the part well.

In a auxiliary invigorating duty, starlet Emmy Raver-Lampman (The Umbrella Academy and Central Park) confers a familiar (yet effective) portrayal of Verona Parker, Eliose’s little girl and FBI agent who follows Adam Clay’s location. Raver-Lampman’s rendering think talents are nice and I have nothing notorious through how she plays the personality, but there is familiar confiscate on the nostalgic “vanquished police” who is habitually one quantify behind the purposeful personality (or destitute) in these story eventualities. For the movie, it’s alright as I didn’t plan a agglomeration from it, but it plays upward the trope of the law enforcement number who is adhering to the concepts to discovering the fact around everything. As a sidenote, actor Bobby Naderi (Luminous and Prison Reprieve) as confers a decent capability in playing Verona’s acquaintance FBI agent Matt Wiley, through the pair possessing a playful “back and forth” banter throughout the movie.

However, numerous the side personalities, who are numerous beefy monikers, are a miniscule miniscule miniscule underutilized and aren’t consistently fleshed out the correct means within their limited supervise time on the service. This has actor Jeremy Irons (The Lion Splendor and Lolita) as previous CIA Supervisor Wallace Westwyld, starlet Phylica Rashad (Creed and The Cosby Share) as Adam’s lessee landlady / Verona’s mama Eliose Parker, and starlet Minni Lorry driver (Nice Will Surfing and Phantom of the Opera) as the current CIA Supervisor Janet Harward. Irons equip employs the most supervise time of this team, through his personality of Wallace rendering think as a miniscule of expositional story juncture under and there too as bouncing off numbers of personality conversations through Hutcherson’s Derek throughout. Irons’s gravitas sounding voice lends online eminence too as his supervise comportment is solid, but there isn’t a agglomeration to Wallace in the Beekeeper, involving the movie’s ending whereby he’s a miniscule failed to remember in the final moments (again, sift of the crisis I owned through the culmination not actually linking upward the loose runs out totally).

Rashad has habitually been a talented starlet and lends plenty of warmth and soul within her context of her personality of Eliose, specifically for Adam. Singularly, she’s lone in the movie for miniscule supervise time percentage, which is rare since she is supposed to be the driving burden for both Adam and Verona throughout a agglomeration of the pic. As for Lorry driver’s Haward, she lone has like 2 scenes in the movie and doesn’t actually amount to a agglomeration, which is dismal, specifically enacted on the fact of Lorry driver’s online eminence as an starlet.

Rounding out the rest of the cast, has actor David Witts (EastEnders and Manhunt) as telephone call scammer lackey  Mickey Garrett, actor Michael Epps (Mystery Intrusion and Beyond Valkyrie: Dawn of the 4^th Reich) as Pettis, actor Taylor James (Samson and Vikings: Valhalla) as ex-systematic pressures staff members leader Lazarus, actor Enzo Cilenti (Totally free Fire and In the Loop) as Rico Anzalone, starlet Megan Le (Medical Police execs and Certainly no Aggravation What) as a Beekeeper enforcer Anisette, actor Don Gilet (EastEnders and Meadowlands) as FBI Substitute Supervisor Jackson Prigg, and starlet Jemma Redgrave (Medical veteran Who and Holby Metropolis) as Derek’s mama Jessica Danforth. The majority of of these personalities lone have wherever in between 2 or three scenes in the movie (some lone one), but, in spite of their limited supervise time, still equip a miniscule systematic capability in their rivaling personalities.

FINAL THOUGHTS

Noticing the death of a friend, who was confiscating payback of by shameful greed, Adam Clay offers it his saying to correct confiscate down the establishment behind the dollar money frauds by any kind of medians mandatory in the movie The Beekeeper. Supervisor David Ayer latest movie takes the nostalgic “one guy squad” trope and runs through it, inventing an reaction-oriented movie that offers to that details leave of absences subgenre that takes monikers and not surprisingly kicks some destitute butt in some brutally fun oomph. While the service implements struggle through its thinly gambled out family (fingering limp and perplexed in how it needs to placement everything) too as rendering its personality too broad and a rather scrambled ending, the movie still eruptions overhead those puzzles thanks to Ayer’s instructions, a stable (and windy) movie rate, nice reaction series, numerous nods and winks to shameful greed and phishing fraudsters, a realistically nice demo, and another steadfast capability from Statham. Personally, I reckoned that this movie was nice and a fun to watch. Of training course, the story pieces and characterizations were pretty integrated and obligatory to be widened upon too as the scrambled culmination obligatory to be enacted on a auxiliary ideal close out to the story being briefed. Yet, I still determined the pic to worth watching and wasn’t let down through it, specifically unanimously of the reaction fighting series that were both unfeeling and rewarding to watch. Does the movie prosper in what it needs to attentive? Of training course, it implements. Could the movie have been widened and cooked up upon? Of training course, in numerous venerates. Yet, the final item of the service will not surprisingly position some type of throwback reaction novelty within its cinematic demo. For that justification, my referral for this movie is a favorable “rent it” as I’m sure fans of the reaction style will not surprisingly position this service to their proneness in unanimously of its cruel disorganize excites of retribution and Statham badassery, while causal watchers might position hilarity in it for a “one time” concerning obstacle. The culmination validates a credible extension in this earth of infamous Beekeeper establishment too as a antiphon of Adam Clay. Can a franchise business be cooked up around this time? There’s a chance, but it would not surprisingly need to be a miniscule auxiliary fleshed out (something akin to what John Wick: Phase 2 did for the John Wick series). In the expire, The Beekeeper, in spite of its shortcomings and blemishes, still delivers a fun rollercoaster journey of a service movie, characterizing its comportment through Statham’s prowess of ass-kicking, unquestionably no-waste ideology to besting upward poverty-stricken mans and tearing down disfigured targets in blazing (yet cheesy) nostalgic “one guy squad” flair.

3.6 Out of 5 (Rent It)

Police execs The Beekeeper Website Web affiliation: HERE

Launched On: January 12th, 2024

Mulled On: September 20th, 2024

The Beekeeper 105 mins long and is ranked R for testing violence throughout, prestigious language, some sexual referrals, and drug consumption